Calai Deirel: Biazai Thawtnak Ziangtin Kan Tep Ding? (2)

02 April, 2014

Biazai Thawtnak Ziangtin Kan Tep Ding? (2)

Biazai ih Thawtnak Ziangtin Kan Tep Ding? (2)

(3) Hmuithlam Phosuahnak (Imagery)

Thiam zet ih ttongfangpawl hmansuahnak ihsin thinlung sung ah fiang zet ih lang mi zukpawl asilole hmuithlampawl tarlangnak khi hmuithlam phosuahnak tiah kawh a si. Bezaipu cun a mawi zet mi hmuhthlirnak hmualpawl (sight-effects) siseh, a mawi zet mi awn hmualpawl (sound-effects) khal siseh, ttongfangpawl hmang in a sersuak thei asilole thubur a tuah thei. Himi tuahthiamnak hi, taktak ahcun, bezaipu in a don mi suangtuah thiamnak laksawng a si. Biazai hin thutluang hnakin, a hmual sersuahnak ah, hmuithlampawl a hmang tam sawn. Zuk hmang in thu a rel caan a tam zet. Bezaipu ih phosuah mi zuk cu a taktak ih um mi khawvel ihta tla a si thei, asilole amai cennak suangtuahnak sungih thlamphai khawvel (ideal world) ta khal a si thei.

Bezaipupawl in thinlunglam zukpawl (mental pictures) kan hmuhtheinak ding ih tuahnak kalhmang pathum an nei.

(a) Phosuahnak Hmangin (By Description)

Thutluang ngantu in a ti dan vek in, ttongfang hmang in thlirmual (scene) taktak lole thlamphai thlirmual a tarlang tla a si thei. A hnuai ihta hi Gray in tthal ni pakhat ih siimlam a phosuahmi a si : -

"The curfew tolls the knell of parting day,

The lowing herd wind slowly o'er the lea,

The plowman homeward plods his weary way,

And leaves the world to darkness and to me.

Now fades the glimmering landscape on the sight,

And all the air a solemn stillness holds.

Save where the beetle wheels his droning flight,

And drowsy tinklings lull the distant folds."

[Ttongfang hmangih thlirmual phosuahnak dangdang hrang tahtthimnak dang hrangah, "The Sands of Dee" (cangtthen pahnihnak); "Hohenlinden" , "Rain in Summer" pawl tla zoh aw]

(b) Simile (tahtthim anhmui), metaphor (khaikhin anhmui),le personification (milaisiternak anhmui) tivek anhmui tthenkhat hmangin. Bezaipu in thil pakhat kha a dang thawn a khaikhin, cumi in hmuithlam a sersuak ih cui hmuithlam cun cui thil ih thupitnak zawn tthenkhat a tarlang.

Bezaipu cun thuhla tarlang fiang thei mi ttongfang pakhat asilole ttonghlawm (phrase) pakhat hmang khal in zuk a tuahsuak thei. A hnuai ih bezai catlangpawl ih um adjective a si mi zuk-lang ttongkampawl hi vun zoihnit hnik hman.

"All in a hot and copper sky,

The bloody sun, at noon." (Coleridge)

'Copper' timi le 'bloody' timi in zuk rongban tarlang tthat zia khi!

(4) Tontuarnak Hmualna (Emotion)

Biazai ih makmawh pathumnak cu tontuarnak hmualna a si. Thutluang nganca zaran (nunthuleng cu ret hrih in) cun thinlung hnakin lu a hip sawn; asinan biazai ih ttuanvo cu thinlung vun dai ngah ding kha a si; sim duh mi cu, tontuarnak hmualna cansuahter ding kha a si. A hnuai ih catlangpawl tivek hi zo in thinlung tontuarnak hmualna tel lo in a siar thaw thei ding?

"And the stately ships go on

To their haven under the hill;

But O for the touch of a vanish'dbhand,

And the sound of a voice that is still! (Tennyson)

Asinan tontuarnak hmualna a kaitho theitu umsun cu tontuarnak hmualna lala kha a si. Bezaipu in bezai fing khat a ngan lai ah zianghmana tongtuar (feels) lo a si ahcun, a casiartu mipi pawl khal in zianghman an tongtuar ve lo ding. Thinlung in thinlung ah thu a rel tengteng a ttul.

Cutin, kan khaikhawm asile, biazai ih makmawhpawl cu awnmawi (music), thlirkhawlnak (hmuithlam phosuahnak tel in), le tontuarnak hmualna pawl an si. Curuangah biazai cu tontuarnak hmualna in a kaihthawh mi suangtuahnak ihsin a hung khirsuak mi a si ih, awnmawi le hmuithlam phosuah thiamnak thawn tarlang a si, ti khal in kan sim thei ding. Himi hi biazai ih sullam bikhiahnak (definition) a si lo, ziangahtile kan hmuh zo vekin, biazai ih sullam cu kan simfiang fukfi thei lo; asinan biazai ih makmawhpawl pholangnak an si.

. . . . . A Cem. . . .

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Ngantui' Thuhla

Salai Siang Lian Uk Kianghrol Introduction Salai Siang Lian Uk Kianghrol (born August 18, 1988) is a leading Chin (Falam) poet and literary contributor. In 2011 he published his first work Calai Zirnak Hmaihruai (An Introduction to the Study of Literature) and, in 2014 he published his second and major work Eden Zunzam: Sonnets from Chinland (The Attachment of Eden: Sonnets from Chinland) which contained over 200 sonnets and a crown sonnet. He also wrote a novel Khrih Riantu (A Man Who Serves Christ) which is not published but filmed, and some short stories and one-act plays, and contributed over 600 articles and poems without royalty fees. Life Salai Siang Lian Uk Kianghrol (born Biak Hming Siang LianUk) was born on August 18, 1988 at Darteti village, about 27 miles from Falam town of Chin State, Myanmar. His father, Ro Pum Thang, is a headmaster of primary school and his mother, Za Kip Par, had only a few school education. His mother died when he was two and his grandmother from his father looked after him. He is the second child of his parents, and has two sisters and three brothers. He started his school education under his father's school at Hmawngkawn village, a remote village in the western part of Chin State, near the Mizoram State of India. After attending Kindergarten at Hmawngkawn village, his family transferred to Zahau Dihai village. He attended first standard at Zahau Dihai and, his family transferred to Darteti village, his birthplace. He finished his primary education at Darteti, and he joined the Basic Education Middle School, at Falam. After he had finished Middle School, his family transferred to Letpanchaung village of Kalay township, Sagaing Division, Myanmar. He passed matriculation at Letpanchaung village, from the sub High School of No.2 Basic Education of High School, Kalaymyo. After he had sit matriculation exam, his family transferred to Tahan-Kalaymyo, and he lives there until today. After he had passed matriculation, he cannot join university because of poverty. He worked as students guide at boarding schools and hostels for some time. In 2011, he went to Yangon and worked as the de facto editor of Thuthantu journal, a church based monthly journal. Later, he became managing editor and he handles it until today. From Yangon and Tahan-Kalaymyo he also worked as a freelance journalist for some Chin social media. Six years after he passed the matriculation, with the help of some close friends, in 2010, he joined university with English major and qualified for post-graduate degree. He is now attending post-graduate at Kalay University, Sagaing Division of Myanmar. Salai Siang Lian Uk Kianghrol also composed some songs and he is the composer of the proposed Chin national anthem: Ram ZalenChinram (Chinland, A Land of Freedom). He is also a singer at Klirlungz music band and literary club. He uses his nickname Salai Mhingte for his musical activities. Salai Siang Lian Uk Kianghrol's early life was filled with many difficulties. With the death of his mother, he suffered lack of vitamins and depression. Because of his father's illness which lasted about six years, the property of his family were gone when he attend the final year of Middle School. Because of poverty, he surrendered many of his ambitions. In the end of 2012, he survived the motor-bike accident in which his friend was died. His feelings about the difficulties he faced can be seen in many of his literary works. Writing Career Salai Siang Lian Uk Kianghrol began to write from his early age. He had already read hundreds of books at the age of 16. He had read the whole Bible at the age of twelve. The knowledge he got from his reading made him wrote many manuscripts. However his first printed work was only appeared in the December issue of Vankau Arsi magazine (2005). He used 'Kianghrol' (walking stick) as his pen-name and, later, used only Salai Siang LianUk Kianghrol for his literary career. From that time, he constantly wrote poems and articles for many magazines and journals of Chin language. He wrote for his people because of patriotism as there is usually no royalty fee for writers of Chin language. As Chin people in Myanmar are only about five lakh and, as there is no common language, the readers of Chin literature, who faces poverty the most in the undeveloped country, cannot support the writers and publishers. They write and publish books and writings only for they love their people, and want to develop them. In 2010, a group of friends called Klirlungz, in which Salai SiangLian Uk Kianghrol is involved from 2008, published Biazai Rianriam (A Study of Poetry).[ In 2012, Klirlungz released their second album DuhnakTiamthu (The Oath of Love) in which Salai Siang Lian Uk Kianghrol involved and sung three songs. Klirlungz's first album Phunhnam Duhdawttu (Patriot) was released in 2004 but Salai Siang Lian Uk Kianghrol did not involve]. BiazaiRianram became the literary turnpoint, especially poetry, of Chin Literature and, the first book to introduced western poetry to Chin people. In 2011, the Presbyterian Youth Joint Conference, Chin Synod, published Salai Siang Lian Uk Kianghrol's first book Calai Zirnak Hmaihruai (An Introduction to the Study of Literature). The book was the first book to introduce world literature and literary genres, styles, and techiques and so on, to Chin people. In 2013, SalaiMai Entertainment published Klirlungz's second book, Nau Umtu (Nurse), a collection of nursery rhymes. In 2014, The Chin Times USA published Salai Siang Lian Uk Kianghrol's second and major work Eden Zunzam: Sonnets from Chinland (The Attachment of Eden: Sonnets from Chinland). The book contains five sonnet sequences and a crown sonnet or sonnet corona, and an introduction to sonnet, as appendix. The first sonnet sequence, Eden Biathli (The Story of Eden), contains a sequence of 37 sonnets and is about his view about religion, education, and moral values. The second sonnet sequence, Eden Sunmang (The Dream of Eden), contains a sequence of 32 sonnets and is about his political views and his dreams for Chinland. The third sonnet sequence, Eden Hringnun (The Life of Eden), contains a sequence of 56 sonnets and is about his personal life, his boyhood life, his rural life, and about his fondness of Chin culture. The fourth sonnet sequence, Eden Lasi (Angel of Eden), contains a sequence of 43 sonnets and is about the beauty of a lady, and the sweetness of love. The fifth sonnet sequence, Eden Tahhla (Lamentation of Eden), also contains a sequence of 43 sonnets and it describes a lamentation of a broken-heart, and the sigh of an unlucky person. The crown sonnet illustrated the poet's dreams and love for his native Chinland. From 2012 he compiled a brief history of Chinese, Iranian, Greek, Italian, Arab, Hebrew and Latin literature. In 2014 he posted this literary history on hi his personal blog: Calai Deirel (The Literary Morning Star). He translated some world classic short stories and poems to Chin language. About his 400 writings, including articles, poems, and short stories had been printed in many magazines and journals of Chin language. He also has many other articles which are not printed yet, but are contributed to Chin online media such as Chinland Today (www.chinlandtoday.info) and Chin World (www.chinworld.info). About 400 of his articles can be seen on his personal blog, Calai Deirel (http://www.calaideirel.blogspot.com). References · Siang Lian Uk (Kianghrol), Eden Zunzam: Sonnets from Chinland, Tahan-Kalaymyo: Zolun Offset, 2014. · Kianghrol, Calai Zirnak Hmaihruai, Tahan-Kalaymyo: Zolun Computer and Desktop Publishing, 2011. · Klirlungz, Biazai Rianram, Tahan-Kalaymyo: Zolun Computer and Desktop Publishing, 2010. · Klirlungz, NauUmtu, Tahan-Kalaymyo: Zolun Offset, 2013. · www.chinlandtoday.info External links · http://www.calaideirel.blogspot.com · http://www.facebook.com/sianglianuk-kianghrol.html

02 April, 2014

Biazai Thawtnak Ziangtin Kan Tep Ding? (2)

Biazai ih Thawtnak Ziangtin Kan Tep Ding? (2)

(4) Tontuarnak Hmualna (Emotion)

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